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启发传讯．联系艺术

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Installation view of Tony Cragg, Bust, 2014 from Jerome Zodo Gallery at Masterpiece London 2019, photography Ben Fisher, Courtesy Masterpiece London

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我们是一家文化传讯公司，致力启发在艺术及文化界别内，人、意念和空间之间的联系。

 

借着传讯、市场推广与伙伴关系，多年来我们均致力推动艺术及文化界别的发展。我们于2006年成立，在伦敦、纽约及香港均拥有文化策略专业团队，联系在本地、全球及数字平台的观众群。

 

我们在不同文化领域中建构及联系社群，而我们相信，这正展示了文化在提升我们生活所扮演的重要角色。

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The work of pioneering land artist #NancyHolt takes over the expanse of Ireland's Lismore Castle, marking the first time her work has been on view alongside 21st century artists who have drawn from her practice. 'Light and Language' features works by Nancy Holt and five global contemporary artists: A.K. Burns, Matthew Day Jackson, Dennis McNulty, Charlotte Moth, and Katie Paterson. @LismoreCastleArts and @HoltSmithsonFoundation present 'Light and Language' now through October 10, 2021. #landart Images via @lismorecastlearts (Nancy Holt, Electrical System 1982, photograph by Jed Niezgoda, licensed by VAGA at ARS, New York, Charlotte Moth, Blue reflecting the greens 2021, A.K. Burns, The Dispossessed 2018.)
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@thealdrich presents two firsts this summer ☀️ ‘from where I stand,’ the inaugural solo museum exhibition for Hugo McCloud and ‘Marginal Costs,’ Lucia Hierro’s first solo institutional show. Both artists examine the economics of labour and mechanisms of globalization. In ‘Marginal Costs,’ Hierro confronts 21st century capitalism through appropriating imagery ranging from billboard advertisements and bodega bags to art historical motifs. ‘from where I stand’ chronicles the evolution of McCloud’s practice. Through January 2022 at #TheAldrich in Ridgefield, Connecticut. Images: Lucia Hierro, Mandao para Amanda, 2020. Hugo McCloud, 5 on #7, 2019. Courtesy of the artist and Sean Kelly, New York;
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“[Kara Walker] interrupts our public imagination with the question of whether the past is ever fully the past.” Enuma Okoro @Enums for @ft_weekend With 600 works produced over 28 years, Kara Walker's first major exhibition in Switzerland opens at @kunstmuseumbasel Making headlines with her monumental sculpture Fons Americanus at @Tate Modern in London in 2019/20, for this exhibition, the artist returns to the foundations of her creative practice - drawing on paper. Book your tickets to Kara Walker’s 'A Black Hole Is Everything a Star Longs to Be' via @kunstmuseumbasel
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South-West London’s Brixton Underground station comes alive with a new large-scale commission by Australian artist Helen Johnson for @artontheunderground. The work is fourth in a series of commissions at the station - following on from #DenzilForrester, #AlizaNisenbaum and #NjidekaAkunyiliCrosby - which invites artists to respond to the narratives of the local Brixton murals painted in the 1980s. 'Things Held Fast' by Helen Johnson is on view until November 2021. #ArtOnTheUnderground #HelenJohnson #TFL
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LONDON // Find yourself transported to the Korean Royal Palaces of the ancient Joseon Dynasty at @KCCUK’s latest exhibition. The show explores the history and aesthetic of the Palaces built over 500 years through photography, video and traditional Korean paper craft. The exhibition will feature work by leading heritage photographers Seo Heun-Kang and Park Jong-woo, as well as work by artist Yang Mi-young created from more than 1,000 dolls made of traditional Korean paper. ‘Royal Palaces of Joseon’ is on view at the Korean Cultural Centre UK, London, until 21 August 2021. Images: Seo Heun-kang, Buyongjeong Pavillon (Changdeokgung Palace), Geunjeongjeon (Gyeongbokgung Palace), Jeongjeon (Jongmyo Shrine). Images courtesy KCCUK
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@jackshainman’s group show at the expansive exhibition space The School welcomes an all-star ‘class’ of artists. The exhibition, curated by @hmolesworth, explores when and how we learn. ‘Feedback’ features new and recent works by artists including @kerryjamesmarshs, @tylersphotos, @lynetteyiadomboakye and @sanfordbiggers. Open every Saturday this summer from 11am-6pm through October 30 in upstate New York. #JSGTheSchool Installation views, Feedback, Jack Shainman Gallery, The School, Kinderhook, New York, June 5 – October 30, 2021. Photo courtesy of Jack Shainman Gallery, New York.
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